This post first appeared on my public Facebook page.

When people have asked me what my books are about, I have two stock answers: the longer, thematic literary answer and the shorter, to-the-point genre answer. For example, my first novel, The God Catcher, was about the duality of identity and the conflict that occurs when your sense of self doesn’t match up with the self that others perceive you to be. Which “you” are you in that case and how do you integrate the two when they’re miles apart? The second answer was, “It’s about dragons.”

Brimstone Angels is about control. I started shaping the story this way because the main character of Brimstone Angels is Farideh, a seventeen-year-old warlock, and if there’s any time I’ve felt like I was fighting for control of my own life it was at seventeen. (I won. Good game, Mom).

Until the year I wrote Brimstone Angels. I was laid off from a job I loved like a second spouse. (A demanding, occasionally neglectful spouse who gave me a crappy pen for our anniversary and then dumped me). My husband’s grandfather passed away abruptly, followed a week later by his other grandfather. My editor abandoned me left my publisher. I turned thirty. I got pregnant—which, as it turns out, is as not-in-control as you can possibly be . . . until labor, which is as not-in-control as you can be . . . until you have a newborn hollering at you at all hours of the night. And because of all that, Brimstone Angels became solidly about control and the things we do to take control of our lives—particularly the things we do which are utterly futile and crazy-making in the hopes that they’ll let us feel a little less like the world is careering on without them.

None of these things are terribly strange or extraordinary, and plenty of you are probably well aware of how you personally felt during one or more of these events. For me, it seemed that the more things slipped out of my direct control, the more I realized how much I clung to what I could control. Even if trying to do so actually took more control from me—obsessing over cures for morning sickness, only made morning sickness take up more of my day.

The sense of needing to seize something while other parts of your world slip out of your hands—I think that’s pretty universal. Whether it’s entering a relationship that you know is bad news because it gets you out of the life you feel trapped in. Or trying to keep your twin sister playing the same part she always has so you don’t have to reassess where you are. Or fighting to keep your teenaged daughters from growing up too fast in a world that’s never going to be kind to them—the characters in Brimstone Angels all do things to feel more in control that ultimately take more power out of their hands.

Also, it’s about devils.

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Like a Geek

NB: I wrote this post about a month ago, while I was still pregnant. And then I stopped being pregnant and it took some time to publish.

Recently, I was interviewed for The Tome Show about The God Catcher. You can listen to it here (I don’t start talking until halfway in, but the rest of the book club is pretty interesting too).

But, readers, I have a confession to make. I goofed.

You might notice, several times throughout the interview, I joke about how I can’t remember things. And . . . well, lately I can’t. I have an adorable parasite stealing all my blood at the moment. I jokingly warned Jeff and Tracy right at the start of the interview—before the recording—that I was eight months pregnant and for the love of god, don’t interrupt me because I have lost all my momentary memory and I will never remember what I was saying.

In general, nothing of the sort happened. Except right off the bat.

They asked me if I had had experiences in life that mirrored The God Catcher’s themes of identity and what you do when your perceived self doesn’t match your internal self. And, to be honest, this isn’t something I’ve thought about in so many words. I’m pretty certain it’s universal, and given a moment to ponder over it I can point to times in my life where I would certainly phrase it as such. But in general, when my perceived self doesn’t match my internal self, I tend to correct people. Or stew about it, whichever.

So I scrambled. I remembered a time this definitely happened! And recently! My very geekness was called into question. People asserting I didn’t look like a geek! I brought that up and . . .

. . . totally forgot the story I was going to tell.

I filled it in with a much weaker anecdote about a coworker assuming I was a cheerleader in high school (predicated, by the way, by my arranging the sizeable collection of Dread Vampire Spawn minis that lived atop Susan Morris’s bookshelf into a human pyramid and making one say “Ready? Okay!”) and how insulted I was. Even telling this story, I felt like an idiot.

First, I don’t actually have anything against cheerleaders. In high school, I did, though less against particular cheerleaders and more against the idea of a cheerleader versus the idea of me. Cheerleaders embodied what I simultaneously didn’t want and couldn’t have, and so did sort of want. It would have been nice, for example, to not worry about whether I had anyone to sit with at lunch or whether everyone was determining my sexuality based on my thrift store jeans. (Hint: This is not a measure of . . . anything really.) But then, I don’t know that the cheerleaders I went to school with weren’t having the exact same sorts of problems. Besides, high school ends, and now I have plenty of people to lunch with who will at least pretend to laugh at my jokes.

So, cheerleaders, are we cool?

The phrase “I don’t look like a geek” has genuinely been bothering me. It sounds like I think it’s a bad thing to “look like a geek.” It sounds like I think we all dress alike. It sounds like the opposite of Zooey Deschanel. So to clarify, here is the story I meant to tell:

This year, I went to GenCon on my own dime. I don’t work at WotC anymore, so I didn’t have to wear one of their (gross) (sweaty) (no seriously, it’s like the thing’s made of plastic) polos. I wore my clothes, specifically my pregnancy clothes.

Maternity wear has a curious side effect. You have to buy these things because one day your clothes will not fit you, no matter how much you try and make them, because this shirt has an empire waist and these pants can totally be held together with a rubber band. But maternity clothes are a) as expensive as regular clothes and frequently more and b) only sold by a handful of manufacturers. You can certainly go hunting for high end stuff on the internet, but you’re buying clothing that you will wear for six months to a year, tops. It’s hard to justify the expense.

However, the unintended result is that you have a) a limited wardrobe and b) a wardrobe you basically share with every other pregnant woman in America. You are, in effect, wearing a uniform.

I fucking hate it.

See, normally, I look like this:

That expression says,

Normal me...except that stupid expression.

And in the act of packing up my regular clothes, in the hopes that after labor and a suitable recovery period they will once again fit, I realized I had become rather attached to looking like that. I liked the way I dressed.

Now, here’s a little history that makes this all tie in a little better: Back in the day? Before I had disposable income and a yen for ruffles and prints? I wore what I would call the Geek Girl Uniform—jeans, t-shirt preferably with clever saying (I did not wear the hoodie. I hate wearing hoodies). Muted colors. Black, preferable. Combat boots for a while—but it was the nineties. This is not how we all dress, but if you were going to create a character whose primary characteristic was “Geeky Girl,” these are probably the duds you’d code her with.

To be honest, I wore it for a lot of reasons, and none of them were very good: it was easy, it was what my friends wore, it made me look cool. Then my mother—in her fashion—opined that I probably wore such ugly colors so that people would pay attention to how smart I was instead of my pretty face. This is the kind of thing my mother says, and usually it’s best to just ignore her. But this time it really shocked me, because it was true—I was hiding in these clothes and the worst part was it didn’t even work. I still had to be ten times as obnoxious to get people to believe I was smart, and I was wearing clothes that I didn’t really feel good in.

So it took me years, but I finally figured out what I do like, and amassed a decent wardrobe of such items.

Please note, I’m not calling anyone else’s clothes into question. If you’re happy in hoodies and jeans, then that is exactly what you should wear. I just always feel like that damned hood is strangling me. . .

Anyway: GenCon.

I’m at GenCon, and I look like this:

It is a billion degrees in that picture.

AKA "Baby's First GenCon"

This is my favorite maternity outfit. It’s comfortable and stylish, and that top transitions for nursing so it’s a little easier to swallow the fact that it’s overpriced and annoying to wash. I feel good in this.

It started when Susan Morris and I were walking to the exhibitor’s hall to get our passes. We’re dragging rolling suitcases full of presentation materials through the sky bridges, and fighting our way through a series of doors. Two men, already with their badges, are behind us, and I quip something about the automatic door buttons making them obsolete. We laugh, we chat, and then one of them says something about how we must be totally gobsmacked by all the weirdoes.

Yes, readers: they think we’re in town for the marketers’ convention happening in our hotel.

Readers, it was an honest mistake, I know that. And I promise, I was all politeness. But inside, I saw red. I informed them that not only were we supremely geeky ladies, but that Susan had, until recently been the line editor for Forgotten Realms and I was the Neverwinter author who was not R.A. Salvatore. Lucky them.

This happened again. And again. And again. Were we with the marketers? Were we with the nursing convention? We probably didn’t get the kickass Neverwinter branded hotel keys because they were for the convention attendees. Hanging with Candlekeep people, someone admitted that when they’d met me a few years prior, they’d assumed I was an intern for the marketing team, assigned to escort Ed Greenwood around.

So when I say “I don’t look like a geek” this is what I mean. I do not register on people’s radar as one of us. I am at worst lost, at best, a poseur. Is it my clothes? My demeanor? My nervous laughter? Is it just that I’m a woman and have a higher hurdle to get over? I don’t know. But it is frustrating, and it’s probably the time I feel most like a Nestrix.

Posted in Life, The God Catcher | 1 Comment

The Lorcan Man (Part 1)

I don’t like having pictures of my characters.

Okay, that’s not exactly true. If someone turned up with fanart of one of my characters, I would be absolutely tickled. But not because I want to see representations of these people—because it was real enough and clear enough to make someone want to recreate it. I loved hearing someone tell me that Nestrix, for them, was totally Rousseau from Lost, or that Tennora looked like the woman on the cover of Renegade Wizards. That’s all fantastic. Do that, please.

But while I’m writing? No. Not good. Most of the time, I find it just messes me up. Makes me want to describe the picture and not think about the best words, the best phrases to evoke a character’s appearance through the viewpoint character’s eyes. If I get out of the text, I get tripped up.

This, dear readers,  is the story of a picture that tripped me up something fierce.

If you haven’t read Brimstone Angels yet—and I’ll assume it’s because you’re currently incapacitated, possibly by a large boulder—there’s a character there named Lorcan. Lorcan is a cambion, a character who prompted me to learn the word deuteragonist. He’s not the villain, but he’s sure as hell villainous. If you want a peek, check out this sample where he shows up. I’ll wait.

So if you read that sample, you may have found it’s a bit racy. Not too much, mind, but it’s definitely the sort of scene that when my friends and writing group read it, they were a little unsure of how to approach the fact that . . . it’s a little hot. And it has to be, or else nothing that the main character does makes sense.

I cannot tell you how many rewrites this took. And it’s not because it’s hard to write sexy or it’s fun to rewrite sexy—no. The problem, dear readers, is this:

 

Cambions from the Monster Manual (4th Ed)

"S'up, bra?"

 

This, as of the time I was writing, was the only image of a cambion in the sourcebooks. I wasn’t looking for a Lorcan—remember, I don’t like to do that—but I did want to clear up some basics of the monster’s stats. Cambions, for example, are fire-resistant as well as poison resistant. So without meaning to, I was faced with that guy.I mean no disrespect to the artist when I say this, but that guy . . . that guy is a tool.

 

If you’ve read the prologue—and if you haven’t, I’ll assume it’s because you’re currently undergoing eye surgery, bless your heart—I think a few problems are fairly apparent. In order to side with a main character—like Farideh—you have to sympathize with their motivations. You need to like them and at least understand how they can come to make a decision. Especially if that decision isn’t one you yourself would make. So in this case, where a teenaged girl agrees to a pact with a devil—a decision I think most of us would at least be a little circumspect about—it’s going to work better from a structural standpoint if she’s got some motives you can sympathize with.

 

And while I think it’s probably the case that most of us can sympathize with going along with something a little too long because we’re distracted by our libido, that doesn’t usually happen with a dude in a mesh shirt making that face.

At least, not so far as I could imagine. Initial drafts of this scene were terrible. Why would she do this? I wouldn’t. You wouldn’t. Not with this douchelord making the offers.

 

Admit it: you'd like to roll a 20 and wipe that smirk off his face.

 

This art might be perfect for its intended purpose, but it kicked my legs out from under me right from the start. It’s not sexy. Not even a little. Time for problem solving. Time to find a proper Lorcan.

Fortunately, the internet makes it easy to find pictures of men making sexy faces, and—with a little bit of searching—sexy and slightly threatening faces. Behold:

 

Calm down, gentlemen. I promise this is a writing post. Sort of.

BOOM!

 

Okay. He looks a little like he’s going to forcibly sell you cologne. But it is far, far more probable a seventeen-year-old girl who’s wary as they come is going to get swept up in what this guy says. Except he’s not quite…

This is what I do with my little sister's design coursework.

PERFECT

Okay, no–he’s not perfect. And because he’s actually a male model named Gabriel Aubry, I couldn’t show this to the artist who did the gorgeous cover. But he’s enough to break my habit of mentally referencing mesh shirt guy–and in the end that’s the most important thing, finding the tools to get past your roadblocks and get writing. So if when you read Brimstone Angels, forget about the cambion in the Monster Manual. That guy’s there for your PCs to kick halfway to Avernus and back. This guy’s the one you sell your soul to.

Posted in Brimstone Angels, Writing | 1 Comment