The Lorcan Man (Part 1)

I don’t like having pictures of my characters.

Okay, that’s not exactly true. If someone turned up with fanart of one of my characters, I would be absolutely tickled. But not because I want to see representations of these people—because it was real enough and clear enough to make someone want to recreate it. I loved hearing someone tell me that Nestrix, for them, was totally Rousseau from Lost, or that Tennora looked like the woman on the cover of Renegade Wizards. That’s all fantastic. Do that, please.

But while I’m writing? No. Not good. Most of the time, I find it just messes me up. Makes me want to describe the picture and not think about the best words, the best phrases to evoke a character’s appearance through the viewpoint character’s eyes. If I get out of the text, I get tripped up.

This, dear readers,  is the story of a picture that tripped me up something fierce.

If you haven’t read Brimstone Angels yet—and I’ll assume it’s because you’re currently incapacitated, possibly by a large boulder—there’s a character there named Lorcan. Lorcan is a cambion, a character who prompted me to learn the word deuteragonist. He’s not the villain, but he’s sure as hell villainous. If you want a peek, check out this sample where he shows up. I’ll wait.

So if you read that sample, you may have found it’s a bit racy. Not too much, mind, but it’s definitely the sort of scene that when my friends and writing group read it, they were a little unsure of how to approach the fact that . . . it’s a little hot. And it has to be, or else nothing that the main character does makes sense.

I cannot tell you how many rewrites this took. And it’s not because it’s hard to write sexy or it’s fun to rewrite sexy—no. The problem, dear readers, is this:

 

Cambions from the Monster Manual (4th Ed)

"S'up, bra?"

 

This, as of the time I was writing, was the only image of a cambion in the sourcebooks. I wasn’t looking for a Lorcan—remember, I don’t like to do that—but I did want to clear up some basics of the monster’s stats. Cambions, for example, are fire-resistant as well as poison resistant. So without meaning to, I was faced with that guy.I mean no disrespect to the artist when I say this, but that guy . . . that guy is a tool.

 

If you’ve read the prologue—and if you haven’t, I’ll assume it’s because you’re currently undergoing eye surgery, bless your heart—I think a few problems are fairly apparent. In order to side with a main character—like Farideh—you have to sympathize with their motivations. You need to like them and at least understand how they can come to make a decision. Especially if that decision isn’t one you yourself would make. So in this case, where a teenaged girl agrees to a pact with a devil—a decision I think most of us would at least be a little circumspect about—it’s going to work better from a structural standpoint if she’s got some motives you can sympathize with.

 

And while I think it’s probably the case that most of us can sympathize with going along with something a little too long because we’re distracted by our libido, that doesn’t usually happen with a dude in a mesh shirt making that face.

At least, not so far as I could imagine. Initial drafts of this scene were terrible. Why would she do this? I wouldn’t. You wouldn’t. Not with this douchelord making the offers.

 

Admit it: you'd like to roll a 20 and wipe that smirk off his face.

 

This art might be perfect for its intended purpose, but it kicked my legs out from under me right from the start. It’s not sexy. Not even a little. Time for problem solving. Time to find a proper Lorcan.

Fortunately, the internet makes it easy to find pictures of men making sexy faces, and—with a little bit of searching—sexy and slightly threatening faces. Behold:

 

Calm down, gentlemen. I promise this is a writing post. Sort of.

BOOM!

 

Okay. He looks a little like he’s going to forcibly sell you cologne. But it is far, far more probable a seventeen-year-old girl who’s wary as they come is going to get swept up in what this guy says. Except he’s not quite…

This is what I do with my little sister's design coursework.

PERFECT

Okay, no–he’s not perfect. And because he’s actually a male model named Gabriel Aubry, I couldn’t show this to the artist who did the gorgeous cover. But he’s enough to break my habit of mentally referencing mesh shirt guy–and in the end that’s the most important thing, finding the tools to get past your roadblocks and get writing. So if when you read Brimstone Angels, forget about the cambion in the Monster Manual. That guy’s there for your PCs to kick halfway to Avernus and back. This guy’s the one you sell your soul to.

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Linkity

Some links that are long overdue:

 

 

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New in November

November has brought two very exciting releases to my life.

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(One of these makes sure the other gets fed.*)

That’s my son, Idris, and my second novel, Brimstone Angels. So far both are getting excellent reviews, although honestly most of Idris’s reviewers are slightly biased. We really cannot say for certain if he is the cutest baby boy in the whole goddamned world.** But I think its probably a close thing.

A lot of authors will refer to their books as their babies–I’ve done it myself a time or two, especially when pressed by well-meaning relations about when I was planning to procreate. “My book’s my baby right now.” And, having had both now, I can say for certain there are a lot of ways in which they’re similar.

1. They take about nine months to produce. At least, the first draft of Brimstone Angels took about that long. I had pretty much finished the first draft when I found out there was a baby on the way.
2. You want to talk about both all the time, but suspect that people would rather talk about something else. Possibly their own kids/books. Still, you angle the car seat towards people and keep a copy of the novel in the diaper bag, in case it comes up.
3. Creating them kills your social life. Whether it’s going to bed at 9 because you’re exhausted from growing a person or going from day job straight to laptop to get that chapter done, no one sees you for ages.
4. Holding them for the first time is cognitively disorienting. It’s hard to believe you actually made this.
5. Naming them is impossible.
6. There is a point, just before you’re finished, where you panic and think you’re never, ever going to manage this. And then you do, because the part of you doing the work of labor or writing is not the part doing the judging–and at some point the judger/editor has to shut up and let you get it done.
7. You want to hear what people think of them. Even though you don’t, because you’re so happy with how things turned out. But still–it’s nice to hear other people agree with you.
8. You may have a story that makes people goggle. Brimstone Angels was substantially rewritten in the second draft when my editor pointed out that Farideh had no external arc to speak of and I decided the best way to fix that was to throw out a third of the book and revise the rest. In three months. While I had morning sickness all day long. Idris was born after a sixteen hour, unmedicated labor (with back labor!) where I wasn’t, ahem, ready to push when my body started insisting I push.
9. It will only vaguely occur to you that these are horror stories, because they are simply the things you had to do to get the result you wanted: a book that feels solid, a healthy, happy baby.
10. They have the most adorable toes. Except for the book.

* NB: If your copy of Brimstone Angels tries to eat infants, it’s probably a part of a print run cursed by Baalzebul, Lord of the Seventh. Please return it for an uncursed copy.

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** My grandmother, in her forthrightness, ranks him second-cutest.

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